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January 15 1958
(+ means you need both    ~ means same material    °° means stereo or binaural    ° means mono)
(SFS = Short False Start | FS = False Start | LFS or BD (Breakdown) = Long False Start | PB (Playback) or Complete = Complete Take)

Radio Recorders Studio B - Hollywood, California
Soundtrack Session for Paramount's King Creole
Paramount Producer : Walter Scharf
Engineer : Thorne Nogar / Wally Kamin
(9.00am - 1.20pm / 2.20pm - 5.40pm)

Musicians:   Vocals:
Guitar: Elvis Presley Blanche Thomas, Unknown & Unknown ('Turtles, Berries, Gumbo')
Guitar: Scotty Moore Kitty White ('Crawfish')
Bass: Bill Black  
Bass / Tuba: Ray Siegal Backup Vocals:
Bass / Guitar: Neal Matthews The Jordanaires: Gordon Stoker; Neal Matthews; Hoyt Hawkins; Hugh
Drums: D.J. Fontana Jarrett
Bongo's: Gordon Stoker  
Cymbals: Hoyt Hawkins  
Piano: Dudley Brooks  
Clarinet: Mahlon Clark  
Trumpet: Teddy Bruckner  
Saxophone: Justin Gordon  
Trombone: Elmer Schneider  

Hard Headed Woman
J2PB 3603
B January 15 1958 (Wed)
Take 1        
Take 2        
Take 3        
Take 4        
Take 5        
Take 6        
Take 7        
Take 8        
Take 9        
Take 10 M 1:53 (2:01 with count-in) The Making Of King Creole 1 (FTD)° (track 9)~King Creole (FTD)°
~Complete Elvis Presley Masters 4 (Sony)°~Rockin' Rebel (Franklin Mint
Comp. Masters Coll'n 31)°~Elvis 75 - Good Rockin' Tonight 2 (Legacy)°
~Elvis 75 CD1°~King Creole-The Music (FTD)°~The Complete '50s Movie
Masters And Session Rec's 1 (MRS)°~Elvis Rock (DSD)°~King Creole
(1997)°~(LP)°~50s Box 4°~E1 (30 #1 Hits)°+Top Ten Hits° (SPA1 4172)
(master)
+The Making Of King Creole 1 (FTD)° (track 13)~King Creole (FTD)° (live
mono mix & count-in)
         
Mono to Stereo (M) 1:53 Digitally extracted stereo PRESLEY - The Essential '50s Masters 4 (RDM Edition)°°

Hard Headed Woman (movie version transfer)
  BTD  
Take 1 (M) 1:51 Mono transfer of B-10 Acetate°

Trouble
J2PB 3604
C January 15 1958 (Wed)
Take 1        
Take 2        
Take 3        
Take 4        
Take 5 M 2:18 (2:30 with count-in) The Making Of King Creole 1 (FTD)° (track 4)~King Creole (FTD)°
~Complete Elvis Presley Masters 4 (Sony)°~Rockin' Rebel (Franklin Mint
Comp. Masters Coll'n 31)°~Elvis 75 - Good Rockin' Tonight 2 (Legacy)°
~King Creole - The Music (FTD)°~Elvis By The Presleys°~Elvis Chante
Leiber & Stoller°~King Creole (1997)°~(LP)°~The Complete '50s Movie
Masters And Session Recordings 1 (MRS)°~50s Box 4° (master)
+The Making Of King Creole 1 (FTD)° (track 14)~King Creole (FTD)° (live
mono mix & count-in)
         
Mono to Stereo (M) 2:18 Digitally extracted stereo PRESLEY - The Essential '50s Masters 4 (RDM Edition)°°

Trouble (movie version transfer)
CTD  
Take 1 (M) 2:18 Mono transfer of C-05 Acetate° (count-in)~From The Beach To The Bayou LP° (count-in only)

New Orleans
J2PB 3605
D January 15 1958 (Wed)
Take 1        
Take 2        
Take 3        
Take 4        
Take 5 M 2:00 (2:07 with count-in) The Making Of King Creole 1 (FTD)° (track 8)~King Creole (FTD)°
~Complete Elvis Presley Masters 4 (Sony)°~Rockin' Rebel (Franklin Mint
Comp. Masters Coll'n 31)°~King Creole - The Music (FTD)°~King Creole
(1997)°~(LP)°~50s Box 4°~The Complete '50s Movie Masters & Session
Recordings 1 (MRS)° (master)
+The Making Of King Creole 1 (FTD)° (track 15)~King Creole (FTD)° (live
mono mix & count-in)
         
Mono to Stereo (M) 2:00 Digitally extracted stereo PRESLEY - The Essential '50s Masters 4 (RDM Edition)°°

New Orleans (movie version transfer)
DTD  
Take 1 (M) 2:00 Mono transfer of D-05 Acetate°

King Creole (first version)
J2PB 3606
E January 15 1958 (Wed)
Take 1        
Take 2        
Take 3 Complete 2:11   King Creole (1997)°~Chante Leiber & Stoller°~50s Box 5°~Essential Elvis
Vol. 3°~The Comp. '50s Movie Masters & Session Recordings 2 (MRS)°
+The Making Of King Creole 1 (FTD)°~King Creole (FTD)°~King Creole
- The Music (FTD)° (count-in & additional dialogue)~Acetate° (count-in)
~From The Beach To The Bayou LP° (count-in)
Take 4        
Take 5        
Take 6        
Take 7        
Take 8        
Take 9        
Take 10        
Take 11        
Take 12        
Take 13        
Take 14        
Take 15        
Take 16        
Take 17        
Take 18 M 2:16 Alternate master
(2:22 with count-in)
The Complete Elvis Presley Masters 28 (Sony)°~King Creole (1997)°
~Elvis Chante Leiber & Stoller°~Essential Elvis Vol 3°~King Creole (2007
Single)°~The Comp. '50s Movie Masters & Session Recordings 2 (MRS)°
+King Creole - The Music (FTD)° ("One.. Two..." count-in)
+Making Of King Creole 1 (FTD)°~King Creole (FTD)°~Celluloid Sell-Out!
(FTD)° (count-in & additional dialogue)

King Creole (movie version transfer)
ETD  
Take 1 (M) 2:16 Mono transfer of E-18 (not used) The Lost Promo° (count-in)~Acetate° (count-in)~From The Beach To The
Bayou LP° (count-in)

Crawfish
J2PB 3607
F January 15 1958 (Wed)
Take 1        
Take 2        
Take 3        
Take 4        
Take 5        
Take 6        
Take 7 (M) 2:45 Unedited master (2:57 with count-in) The Making Of King Creole 1 (FTD)° (track 18)~King Creole (FTD)° (live
mono mix & count-in) (dry upfront vocals)
Edited M 1:50 Edited - Record version The Making Of King Creole 1 (FTD)° (track 35)~King Creole (FTD)°
~Complete Elvis Presley Masters 4 (Sony)°~Rockin' Rebel (Franklin Mint
Complete Masters Collection 31)°~King Creole - The Music (FTD)°
~King Creole (LP)° (original master - Kitty White lower in mix)
+Complete Single Collection 10°~50s Box 4°~King Creole (1997)° (dry
vocals - taken from live mono mix)
         
Mono to Stereo (M) 2:08 Digitally extracted stereo (F-07 edited) PRESLEY - The Essential '50s Masters 4 (RDM Edition)°° (track 7 - dry
upfront vocals)

Crawfish (movie version transfer)
  FTD  
Take 1 (M) 2:45 Mono transfer of F-07
(normal dub)
Essential Elvis Volume 3°~The Comp. '50s Movie Masters And Session
Recordings 2 (MRS)°+Acetate° (count-in)~From The Beach To The
Bayou LP° (count-in)
Take 2 (M) 2:45 Mono transfer of F-07
(High Elvis vocal)
Acetate°
Take 3 (M) 2:45 Mono transfer of F-07
(High Kitty White vocal)
(Soundtrack° - 0:34, 2nd version in movie, part only)+Acetate°

Crawfish (movie version - vocal overdub)
  FFV January 15 1958 (Wed)
Take 1 (M) 2:45 Extra duet passages by Kitty White
overdubbed to F-07
Unedited movie version
Acetate°~(The Making Of King Creole 1 (FTD)° - 3rd part of track 1)
         
Mono to Stereo (M) 1:50 Digitally extracted stereo (edited) PRESLEY - The Essential '50s Masters 4 (RDM Edition)°° (track 8)

Notes

All songs were recorded in binaural. One channel was used for the musicians and backing vocals (channel 1 - BO-10, CO-05 etc), and the other channel was used for Elvis' vocals (channel 2 - BV-10, CV-05 etc). The master was then mixed from the two-track tapes (BOV-10, COV-05 etc).

For 'Crawfish' however, three channels were used:
Channel 1 = Orchestra (FO-07)
Channel 2 = Kitty White solos & Elvis' vocal (FV-07)
Channel 3 = Kitty White duet passages to match FOV-07 (FFV-01)

The count-in for 'Trouble' (track C - Take 5) can be found on the old bootleg LP From The Beach To The Bayou where it was sneakily inserted before Take 8 of 'As Long As I Have You' (track N). This deceivingly made it look as though it was Take 5 of 'As Long As I Have You' on the LP.

The original release of 'Crawfish' in 1958 had echo added to Kitty White's vocals and they were further back in the mix than Elvis' vocals. Since the release of the 50s Box however, 'Crawfish' has been released with dry vocals and both vocals are at the same level. This has been corrected with the 2007 remaster on the 30 disc Complete Elvis Presley Masters collection, the Franklin Mint package, FTD's King Creole - The Music and FTD's King Creole classic album where we again get the original mix of the song.

Take 18 of 'King Creole' (first version - track E) is on disc 28 of Sony's Complete Elvis Presley Masters collection, where it is incorrectly listed as being "first version - Take 3" and is missing the "One... Two..." count-in that can be heard on FTD's King Creole - The Music.

The Thorne Nogar live mono mixes featured on FTD's King Creole classic album are not the actual masters as heard on record. The released masters were remixed from binaural two-track tapes and some have additional reverb added. However, as above with 'Crawfish' when released with dry vocals, some of these live mono mixes were used as the actual masters on the 50s Box (The King Of Rock 'N' Roll - The Complete 50s Masters), Essential Elvis Volume 3 and the 1997 reissue of the King Creole album.

The acetate containing the '"Main Title" And Opening Scenes' (1AATD-1) contains 'Turtles, Berries, Gumbo' (A-SP), 'Main Title Instrumental' (R-08) and 'Crawfish' (F-07), but not exactly as how they are heard in the movie. 'Turtles, Berries, Gumbo' is the full version of the song including the parts edited out in the movie. 'Crawfish' is also the full version with complete Kitty White vocals (additional vocals (FFV-1) as heard in the movie) but all with upfront vocals (FTD-2 & FTD-3), where they are lower in the mix in the movie. It also contains the complete ending where it was faded in the movie.

The original unedited acetate of 'Main Title And Opening Scenes' (1AATD-1) (6 minutes and 31seconds) is compiled and edited as follows:

Paramount Seal (0:06)
Turtles, Berries, Gumbo (Track "A" spliced - 2:15), consisting of:
(opening) Turtles, Berries, Gumbo
(Turtles) Turtles, sweet ole turtles, I got turtles for you ladies
Turtles jumping in my pan, to hold them in takes a mighty man
Now don't you settle for the rest, 'cause ma'am i've got the very best.
(Berries) Berries, nice fresh berries, I got berries for you ladies
I've got berries nice and fine, I just took 'em from the vine
Took me 'bout a thousand trips, but none are sweet as your lips.
(Gumbo) Gumbo, yes, it's gumbo, I've got gumbo for you ladies
I've got gumbo steaming hot, and it comes straight from the pot
I cooked and stirred it all the day for you pretty girls to take away.

(ending) Turtles, Berries, Gumbo
Segue into Main Title Instrumental (Track "R" Take 8 - 1:31)
(brass sweetener, overdubbed to R-08)
(string bridge overdubbed from fadeout, to connect to 'Crawfish')
Segue into Crawfish (Track "F" Take 7, High Elvis vocal, High Kitty White vocal & Kitty White "Duet" passages - 2:45)
(Kitty White) Crawfish, crawfish
See I got 'em, see the size, stripped and cleaned before your eyes
Sweet meat, look, fresh and ready to cook.
(Elvis) Crawfish
(Kitty White) Crawfish
(Elvis) Well I went to the bayou just last night
There wasn't no moon but the stars were bright
Put a big long hook on a big long pole
And I pulled Mr Crawfish out-a his hole
Crawfish
(Kitty White) Crawfish
(Elvis & Kitty White) See I got 'em, see the size, stripped and cleaned before your eyes
Sweet meat, look, fresh and ready to cook.

(Elvis) Crawfish
(Kitty White) Crawfish
(Elvis) Now take Mr Crawfish in your hand
He's gonna look good in your fryin' pan
If you fry him crisp or you boil him right
He'll be sweeter than sugar with every bite
Crawfish
(Kitty White) Crawfish
(Elvis & Kitty White) See I got 'em, see the size, stripped and cleaned before your eyes
Sweet meat, look, fresh and ready to cook.

(Elvis) Crawfish
(Kitty White) Crawfish
See I got 'em, see the size, stripped and cleaned before your eyes
Sweet meat, look, fresh and ready to cook.

The version of the 'Main Title And Opening Scenes' used in the movie is edited down to 4 minutes and 40 seconds, and is edited as follows:

Paramount Seal
Turtles, Berries, Gumbo consisting of:
(opening) Turtles, Berries, Gumbo
(Turtles) Turtles, sweet ole turtles, I got turtles for you ladies
(Berries) I've got berries nice and fine, I just took 'em from the vine
Took me 'bout a thousand trips, but none are sweet as your lips.
(Gumbo) I've got gumbo steaming hot, and it comes straight from the pot
I cooked and stirred it all the day for you pretty girls to take away.

(ending) Turtles, Berries, Gumbo
Segue into Main Title Instrumental
Segue into Crawfish
(Kitty White) Crawfish, crawfish, fresh and ready to cook.
(Elvis) Crawfish
(Kitty White) Crawfish
(Elvis) Well I went to the bayou just last night
There wasn't no moon but the stars were bright
Put a big long hook on a big long pole
And I pulled Mr Crawfish out-a his hole
Crawfish
(Kitty White) Crawfish
(Elvis & Kitty White) See I got 'em, see the size, stripped and cleaned before your eyes
Sweet meat, look, fresh and ready to cook.

(Elvis) Crawfish
(Kitty White) Crawfish
(Elvis) Now take Mr Crawfish in your hand
He's gonna look good in your fryin' pan
If you fry him crisp or you boil him right
He'll be sweeter than sugar with every bite
Crawfish
(Kitty White) Crawfish
(Elvis & Kitty White) See I got 'em, see the size, stripped and cleaned before your eyes
Sweet meat, look, fresh and ready to cook.

(Elvis) Crawfish
(Kitty White) Crawfish
See I got 'em, see the size, stripped and cleaned before your eyes.

Thanks to Ray Reeves for pointing out the extra vocals on 'New Orleans'.

Thanks to David English for information relating to Blanch Thomas providing the vocals for the street vendor Turtles (as seen in the movie) on the song 'Turtles, Berries, Gumbo'.

In March of 2007, Sony decided to go through all of Elvis' masters. They retransferred everything and remastered all tracks including repairing as many clicks, pops, bad edits and dropouts as they could. They have used these newly mastered recordings on their new releases since 2007 including budget soundtracks, Legacy releases, the 30 disc Complete Elvis Presley Masters collection and the Franklin Mint package.

In a letter from Hal Wallis on January 8th 1958, outlining what songs would be recorded for different scenes in the movie, it appears there was an additional song called 'Stop Me' which was planned to be recorded.

Stop Me
(Charles O'Curran)

You miss me when I'm gone
You really want me near
Stop me if I'm wrong
Stop me from being here

The kiss we held so long
You want your whole life through
Stop me if I'm wrong
Stop me from kissing you

Don't let our lips meet
If yours only mean to deceive
For when our lips meet
This is what I believe

Your love for me is strong
And always will be true
Stop me if I'm wrong
Stop me from loving you

Thanks to Bill Bram for the lyrics to 'Stop Me'


Session Logs
Recording Information
King Creole
King Creole
Tape Log
King Creole
King Creole
Letter from Hal Wallis
January 8 1958
Letter - January 8 1958

 
Musical Breakdown
King Creole
Musical Breakdown
 


Acetates
Acetate
Trouble (I'm Evil)
Trouble (Thanks to Glen Johnson)
Acetate
Trouble (I'm Evil)
Trouble (Thanks to Glen Johnson)
Acetate
New Orleans
New Orleans (Thanks to Henk Muller)

 
Acetate
Crawfish
Crawfish (Thanks to Glen Johnson)
 


Music Sheets
Music Sheet
Hard Headed Woman
Hard Headed Woman
Music Sheet
Trouble
Trouble
Music Sheet
New Orleans
New Orleans (Thanks to Christopher Brown)

Music Sheet
King Creole
King Creole
Music Sheet
Crawfish
Crawfish (Thanks to Christopher Brown)
 


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